The move: stop the page being four peer tabs (Overview / Scenes / Cast / Review) and make it one guided narrative down a sticky spine — leading with the film's measured identity, not a tab bar. The strong old surfaces get re-homed inside it: the Overview distributions become Shot grammar, the Review screening-room becomes the Evidence deep-dive.
The old 0/55 reviewed / 0.55-capped formula is gone — nowhere on any page. It never told the truth.
Trust is honest coverage now: Measured ✓ (55·299·2,022·110m, 7·5·5 labels) and Verified ⊘ shown locked until the auto-reviewer ships.
Distributions as bars, the 55-scene cut rate as a curve, the fingerprint as the film's signature. Real Bloody Sunday numbers, no lorem.
Dark studio, Radix/shadcn vocabulary, the app's rail + topbar + script-row grammar. A current user knows where they are.
Three directions · same spine, same data, different execution
A calm reading column down a numbered spine. Leads with a big title and a plain-English signature paragraph; measurement rendered as clean bars and a skew-ruler. Reads like an authoritative report on the film.
Best when the point is clarity and trust — the safe, legible, ships-first direction.
Open direction →A three-pane power tool. Left nav, center analysis, and a persistent right readout that tracks you as you scroll. The film's fingerprint — the cut-rate waveform — is the hero. Denser, monospace, instrument-grade.
Best when the audience is pro editors who want the data foregrounded.
Open direction →Chapters on a film-strip. A top reel-nav instead of a side rail, a letterboxed cinematic hero, warmer temperature — and the screening room as the centerpiece at Evidence. Feels made for filmmakers.
Best when the emotional pitch and the "prove it" moment matter most.
Open direction →The light home / entry — shared across all three
Wideshot R1 · Analyze redesign · for Tom's sign-off → Khoa · Sana / design-ops · 2026-07-22